Odyssey :: essays research papers

1. Does the Odysseus of these books appear to be changed in character from the Odysseus of Books V †XII? Assuming this is the case, why? In the books 5 to 12 Odysseus’ character doesn't generally experience any changes starting with one aspect then onto the next. Odysseus despite everything conveys similar qualities and attributes directly all the way to the finish of the story. It is, in any case, apparent in book 22, when Odysseus renders his retribution upon the admirers, that we see an entirely unexpected side to Odysseus’ character. Both these two focuses will be tended to in this answer. Toward the start of the Epic, Odysseus is introduced as a courageous and gallant man who regularly contemplates his home, spouse and child. He is a character that adores narrating, which additionally incorporates lying easily. Odysseus â€Å"the man of numerous resources† never shows signs of change in his manners all through the remainder of the Epic, as he stays steady to all his previous properties. Along these lines clearly Odysseus is a truly steady saint who acts and thinks in a similar way consistently, much like any human. Nonetheless, there is a turn to this discussion, as in Book 22 when he battles the admirers and wins we do see an altogether different side to the character of Odysseus. In this book, Homer presents Odysseus to us as a savage and un-excusing character one who has everything set on decimating everything he can. Odysseus could fundamentally be depicted as wanton. We see this specifically when Odysseus â€Å"stuck Leodes full in the neck.† Leodes had submitted to Odysseus yet he was honored with no desire for acknowledgment as Odysseus had just settled on the suitor’s destiny. This is a serious change in the manner that Odysseus is depicted in the various <a href=http://www.

Country Ghrammer Essay Example For Students

Nation Ghrammer Essay Well, Im going down child yo road in a Range Rover Street Sweeper infant positioned prepared to release it Shimmy cocoa wha hear it out now Light it up and take a puff, pass it to me now Hmm, Im going down infant yo road in a Range Rover Street Sweeper infant positioned prepared to release it Shimmy cocoa wha hear it out now Light it up and take a puff, pass it to me now (Nelly) You can discover me, in St. Louis rollin on names Smoking names in clubs, blowin up like cocoa puff Sippin Bud, gettin perved and getting named Daps and embraces, mean mugs and shoulder shrugs And its all in light of the fact that, aggregated enough stretch Just to explore it, completely embellished on chrome And its treats painted, fans swooned While Im engaging, wild aint it How me and mugs, I hang with Hannibal Lector (Hot sh*t) So feel me when I bring it, sing it uproarious wha Im from the Loop and Im pleased Run a mile for the reason Im noble exempt from the laws that apply to everyone else Playa my styl es crude Im Born to Mack like Todd Shaw Forget the notoriety, and the allure Give me Ds mind an elastic sledge My sentence structure bes ebonics, gin tonic and constant Fuc* bionic its amusing, slammin nig*as like Onyx Lunatics until the day I bite the dust I run increasingly game then the Bulls and Sonics Chorus 2X (Nelly) Who state beautiful young men cannot be wild nig*as Loud nig*as, O.K. Corral nig*as Foul nig*as, run in the club and bust in the group nig*a How nig*a, ask me again its going down nig*a Now nig*a, go to the carnival and watch me jokester nig*a Pound nig*a, what you be givin when Im around nig*a Frown nig*as, talkin sh*t when I leave the town nig*a Say currently, can you cultivators come join the party now Hey Im, prepared to cut you up any day presently Play by, my standards boo and you gon remain high May I, answer yo third inquiry like hello I Say howdy, to my nig*as left in the slamma From St. Louis to Memphis From Texas back up to Indiana, Chi-Town K.C. Motow n to Alabama L-A, New York Yankee niggas to Hotlanta, Louisiana All my niggas mind Country Grammar Smokin blunts in Savannah Blow thirty factory like Im Hammer Chorus 2X (Nelly) Lets demonstrate these felines to make these milli-ons So you nig*as quit acting senseless, mon My +Kid+ snappier than +Billy+, mon Talking truly and I need it mon, enemies I keep filly mon Specially off Remi, mon, keys to my Beemer, mon Holla at Beenie Man, see me, mon Cheifin rollin more profound than any mon, through Jennings mon Through U-City back up to Kingsland, mind decent nig*as Sheist nig*as, who grab yo life nig*a, trife nig*as Who produce and sell a similar beat twice, nig*a, ice nig*a All over near never calm From broke to havin mixture, cause my value Range is Rover Now Im knockin like Jehovah Let me in now, let me in now Bill Gates Donald Trumph let me in, we turn now I got cash to loan my companions now, we in now Candy Benz, Kenwood and 10s now (Whoo!) Fu**in lesbian twins now Seein now, thr ough the pen I make my closures now BibliographyA site

Righting the Gender Divide for Authors on Wikipedia

Righting the Gender Divide for Authors on Wikipedia Have you heard about the 2015 Art+Feminism Wikipedia Edit-a-thon? Its aim is to increase the number of female participants sharing knowledge on Wikipedia, and in turn, teach readers and researchers more about important women in the arts and sciences that have been ignored or left out. We here at Book Riot came up with a list of women writers who need entries (or more extensive entries) on Wikipedia (though there are SO MANY MORE). Do you know about these particular writers, and can you give them the web-presence they deserve? (For most of my information, I consulted the Literary Reference Center Database, which should be available through most public and university libraries). Wikipedia page to create Eloise Bibb (1878-1928?): According to the Digital Schomburg African American Women Writers of the 19th c. page, Bibb was born in New Orleans to a prosperous African-American family. Her first book, Poems, was published in 1895, and includes To the Sweet Bard of the Womens Club, a paean to fellow writer Alice Dunbar-Nelson. A graduate of Oberlin Colleges Preparatory Academy, and Howard Universitys Teachers College, Bibb ultimately took a leadership role in Howards Colored Social Settlement House. Upon her marriage in 1911, Bibb moved to Los Angeles, and then New York City, where she died around 1928. Not only does Bibb not have a Wikipedia page, she doesnt even have an entry in the comprehensive Literature Resource Center database. However, with a little bit of research, Im sure anyone interested in 19th century African American literature could find more information about her, and discuss more of her writing. Wikipedia pages to update Bebe Moore Campbell (1950-2006): a successful African-American novelist, essayist, and writer of childrens books, non-fiction, and radio plays, Campbell dealt with topics like mental illness and family issues. Her page offers a brief overview of Campbells personal and writing lives, and then lists selected works and one reference. And thats it. How about some in-depth exploration of Campbells style and interests, and some analysis of her bestsellers (Brothers and Sisters, Singing in the Comeback Choir, and What You Owe Me)? Margaret Coel (b.1937): A chronicler of the American West, Coel (born in Colorado) is well-known for her Wind River mystery series set among the Arapaho in Wyoming. Her award-winning biography of the Arapaho Chief Left Hand and memoir-history of railroading in Colorado were named as two of the best 100 books on Colorado history by the Colorado Historical Society. Coel graduated with a degree in journalism from Marquette University and wrote for the Boulder Daily Camera. Her page includes a paltry mini-bio and a list of her works (and one reference). Come on, now. We can do better than that. Marele Day (b.1947): Day is an Australian writer of mystery novels, most known for her four novels that feature the countrys first female private investigator- Claudia Valentine. Day has also written a screenplay and edited a how-to book about writing crime fiction. Her page screams out for further discussion of her Valentine books, especially her brilliance in expressing a sense of place. Janet Campbell Hale (b.1946)- A Native-American writer living on the Coeur dAlene Reservation in De Smet, Idaho, Hale is known for her award-winning poetry and her novels, which explore Native-American issues and identity. Her page includes just a brief biographical note and a few references, as well as some links. A more extensive discussion of her poetry and novels would greatly enhance it. Cynthia Kadohata (b.1956): Kadohata is a Japanese-American childrens writer and winner of the Newberry Medal in 2005, as well as the National Book Award in 2013. She has written both literary fiction and young-adult fiction, some of which explores the role of Japanese-Americans in the U.S. after WWII. Her page would benefit from even brief discussions of each of her novels and her experimentation with different genres. E.D.E.N. Southworth (1819-1899): I have a particular affection for Emma Dorothy Eliza Nevitte Southworth, having read her recently-republished The Hidden Hand (1888) and her first novel,  Retribution (1849), which I discuss here.   Southworth was wildly popular in the U.S. during the 19th century, with much of her writing appearing first in serial form. The biographical information on her page doesnt adequately reflect the turmoil of her marriage and ultimate separation from her husband, a trope that she explores in her fiction. ____________________ Follow us on Twitter for more bookish goodness! Save